Monday, February 28, 2011

Hal Schmitt is Coming to Las Vegas!



Hal is bringing his new seminar The Dynamic Duo: Lightroom 3 & Photoshop CS5 to Nevada! 
In this one day event Hal will demonstrate the tips, tricks, and techniques of Lightroom revealing a streamlined but effective process to execute all stages of the digital workflow from import to output. Transitioning seamlessly from Lightroom to Photoshop (via the built-in functionality) Hal will demonstrate the beauty and power of the world’s finest image optimization software.


The course will be held at:

Morgan Stanley Smith Barney

701 North Green Valley Parkwa
Henderson, NV 89074

Admission is $50 at the door, but pre-register before March 11th and pay only $39! For more details call the office at 805-528-7385 or go online to www.LightWorkshops.com

Fiat Lux!

Sunday, February 27, 2011

Almost Eagle Time

 Love the talon shadow on the right wing.
For my studio and speedlite/CLS crowd, light source hard or soft? And how do you know?

I was going through some older images this evening and that is when it hit me.  Eagle time is almost here.  I know it is still technically winter but Spring is right around the corner (although I would not guess it from the nippy -45 wind chill outside.)  With Spring on the way wildflowers and eagles cannot be far behind.  Time to break out and tune up the macros and super telephotos.



I am fortunate to photograph just about everything and I really get into it all, regardless of subject.  With that said, there is just something special about eagles. 

Hope you can join me to shoot some of Spring's offerings.

Fiat Lux!

Friday, February 25, 2011

When Boring Photos Attack!

A boring, uninteresting aurora shot.  Destined for the Recycle Bin.
Just because it is a big stitched pano, does not make it interesting.

I am sure it would never happen to our readers here but every now and again I run across the dreaded "Boring Photos of Interesting Things" phenomenon. 

The more I think about it, it probably happens to everyone at some time in their photographic journey.  You have perhaps traveled around the world to an exotic location or maybe just stepped outside your front door to an amazing scene.  During the capture process, it seemed like everything went right.  We had the equipment, we knew the technique, and had a great subject in front of the lens.  After the fact looking at the images in Lightroom or Photoshop, something just is not right. 

When this happens there are a couple of great takeaways or lessons to be learned.  First and most important, go back to the basics and fundamentals of what makes a great image.  Where does the pop, the impact, or the wow factor really come from.  Strong composition and exposure will always start you off on the right track.  Ask yourself if you took the shot or if you made an image.

Second, try to remove yourself from the experience itself and concentrate on just the image.   Examine your effort with a critical eye and look at the image from a detached observer perspective.  We often have an emotional connection to our shots that do not allow this type of examination.  Pull back and view the image as if you were not the one who shot it.  Would you still be interested? 

Third, if possible, get rid of the image or at least bury it.  I understand that sometimes these images are all we have to remind us of a particular event, trip, or experience.  If I do not have a better capture, I will keep some of these around as mementos.  Most of the time, I just let them go.  I will learn from the experience and next time I will make an image.  

Off to the trash.

Here I have attached two recent unbelievably boring pictures of a really cool thing.  Like so many others I've shot, here are two bad aurora images.  It was great to experience but the images, for lack of a better word, suck.  As described above, I went back to the basics; both of these images have no real subject, no anchor, no foreground element, no real composition, no flow.  From a detached observer perspective, they are not interesting.

So these two shots make their debut and finale all at the same time. You'll find these images here and in my Recycle Bin for another few minutes before they go bye-bye.

Fiat Lux!

Sunday, February 20, 2011

Morro Bay 360 Pano Follow Up

14 shot stitched panorama
Canon 5D Mk II, EF 24-70mm f/2.8L at 24mm, and RRS pano gear
Adobe Photoshop Lightroom and Photoshop CS5

Here is the follow up image to my recent post regarding my preferred pano gear (RRS.)  Pano will end up at a 1:5 ratio.  That is a bit more than I typically prefer but the field of view is also quite large.  Using native resolution only I would print this at 27 x 133.

You might notice I reorganized the pano as well.  I originally started the shots just to the left of the moon.  The result did not have the composition and flow I wanted.  Once the pano is stitched it is a relatively easy process to recompose the image.  Of course, if you want to move around large chunks of pano at 750+ GB a pop it is good to have some RAM and processing power to back you up. 

I also dropped the pano into Photosynth to have an interactive experience through the FOV.  Plenty of other programs that will do this for you but none quite as free. 


Looking forward to later this year as more 3D viewing devices are available so I can include a 3D version of some of my favorite pano locations.  With or without 3D, the upcoming panos from wildflower season and my Alaska yacht trips are going to be amazing.  Will keep you updated.

Fiat Lux!
Bull


Thursday, February 17, 2011

Why I Prefer Really Right Stuff Pano Gear


The screenshot above is from a 360 pano I shot last night.  Sunset fizzled but moonrise was very cool shining through the cumulus clouds.  Fourteen shots from a Canon 5D Mk II, EF 24-70mm f/2.8L, and my Really Right Stuff panorama kit.  The file is 2.25 GB and perfect (the small white masking artifacts are only visible at small magnification and are not really present in the file.)

Awesome!  When the source material is captured properly there is almost no loss from the pano alignment and stitching process and it is, in a word, easy.

There is not always a gear or technology solution but the right equipment really helps.  For this scene the RRS kit was essential to the simplicity and results of the shoot.

OBTW, that is Victoria standing near the left edge of the image shooting her own 360.

I'll put the final pano up when I finish the optimization.

Fiat Lux!

Bull

Wednesday, February 16, 2011

Interview at DPE

Interview with Hal on The Digital Photo Experience website.

DPE Interview

Fiat Lux!

Thursday, February 10, 2011

Tip of the Week: Using Color Lables in Adobe Lightroom and Bridge

One of the most overlooked features in Lightroom and Bridge is the Color Label. Both programs offer five colors (red, yellow, green, blue, and purple) to assist you in managing and organizing your images. These colors may be assigned a specific meaning in your workflow and when assigned to an image you will have a quick visual reference to your image "types."

To assign a Color Label in Lightroom, highlight an image or images, position the cursor over the image, and right click. From the flyout menu select "Set Color Label" and choose one of the colors. You may also use the keyboard shortcuts of 6 (Red,) 7 (Yellow,) 8 (Green,) or 9 (Blue.) Unfortunately, no keyboard shortcut for purple. In the Bridge, select just as above and then right click. At the bottom of the flyout menu choose "Label" and pick the appropriate option. You will notice there are no color names but instead text assigned to a color. To customize, go to Edit-Preferences (Win) or Bridge-Preferences (Mac) and select "Labels" from the menu. First uncheck the box at top to enable single stroke keyboard shortcuts the same as above then enter a meaningful description for each color.

You can use the Color Label anyway you prefer; as an example here is my system. Red = High Priority Yellow = Web Green = HDR Blue = Stitched Pano Purple = Expanded DOF

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Fiat Lux!