tag:blogger.com,1999:blog-7921520713241149757.post3773737250215389738..comments2024-03-28T03:15:09.646-07:00Comments on LIGHT Photographic Workshops: Color Balance Delicate SubjectsLight Photographic Workshopshttp://www.blogger.com/profile/17120446817112840415noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-7921520713241149757.post-19392423213906043902011-12-28T23:26:12.475-08:002011-12-28T23:26:12.475-08:00Really it was a nice photography blog...thanks for...Really it was a nice photography blog...thanks for sharing this information<br /><a href="http://digital-media-tech.com/colorcorrection.htm" rel="nofollow">color balancing </a>Groupdmthttps://www.blogger.com/profile/07139387039591209153noreply@blogger.comtag:blogger.com,1999:blog-7921520713241149757.post-57517085070582495962011-07-01T12:17:50.268-07:002011-07-01T12:17:50.268-07:00Victoria, thanks for posting this article. I see ...Victoria, thanks for posting this article. I see that you used the Color Checker 18% gray sample and others to set your color balance to neutral. Did you also use the X-Rite to create a camera calibration profile? When I do this in Lightroom 3, the difference between the default setting of Adobe Standard and the newly created color profile consistently boosts the blues and purple color saturation. This would seem to make a significant difference when photographing the scarf colors. I realize there is far more to optimizing the color for a website than this, but I do find that the X-Rite is a worthwhile tool. Could you expand a little on your recommendations setting the black and white points in LR3? I remember that Jim DiVitale and Hal Schmitt had very specific recommendations regarding the black and white point thresholds, especially when considering what a printer can actually handle effectively. Thanks again for sharing this experience with us readers!Cranston Reidhttp://www.cranstonreid.comnoreply@blogger.com